“I Drum the Body Electric!” – in progress. About the synergy of percussion and computing, a critique of the modern music maker. Pending publication with Routledge.
“How Do You Play with an Aura? — The Mathematics of Resonant Bodies.” New England Press, 2011
“Digital Autonomy in Electroacoustic Music: Reforging Stockhausen” Proceedings of the International Computer Music Conference. New Orleans: 2006.
“Performing Algorithmic Computer Music: Creating an Interpretive Context for David Birchfield’s Community Art: Resonant Energy” Proceedings of the Australasian Computer Music Conference. Brisbane: 2005.
“Performing Algorithmic Computer Music: Real-Time Score Interpretation of David Birchfield’s Community Art: Resonant Energy” Proceedings of the International Computer Music Conference. Barcelona, Spain: 2005.
“Re-realizing Philippe Boesmans’ ‘Daydreams’: A Performative Approach to Live Electro-Acoustic Music” Proceedings of the International Computer Music Conference. Miami, US: 2004
As a member of So Percussion Group, playing Evan Ziporyn’s “Melody Competition”
Marimba soloist on Rodrigo Sigal’s “Rimbarimba”.
Christopher Adler’s “Signals Intelligence” Member of red fish blue fish.
“Iannis Xenakis. Percussion Works.” Member of red fish blue fish, playing on Melanges.
Derek Keller’s “Impositions and Consequences.” Guest member of NOISE ensemble.
Michael Pisaro’s “Better Way” as member of the Dog Star Orchestra, through Human Ear Music.
Michael Pisaro’s “Tombstones” series
John Luther Adam’s “Strange and Sacred Noise” documentary, directed by Len Kamerling